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Reviews

Haunting ‘Lost Girls’ revisits Long Island serial murders

Haunting ‘Lost Girls’ revisits Long Island serial murders

Reviews

Documentary filmmaker Liz Garbus (“The Farm: Angola, USA,” “What Happened, Miss Simone?”) turns to dramatized true crime with a grim story many New Yorkers will…

Pete Davidson channels Pete Davidson in ‘Big Time Adolescence’

Pete Davidson channels Pete Davidson in ‘Big Time Adolescence’

Reviews

I’m a little worried about Pete Davidson. Then again, that’s the enduring brand of Davidson, the proudly unstable “Saturday Night Live” comicwho’s having a moment with a…

Haley Bennett is heartbreaking and fierce in ‘Swallow’

Haley Bennett is heartbreaking and fierce in ‘Swallow’

Reviews

Last week, “The Invisible Man” served up a potent meditation on domestic abuse, then diluted it with campy scares. The quieter “Swallow” follows with a different body…

Elisabeth Moss gives it her all, but this ‘Invisible Man’ isn’t a must-see

Elisabeth Moss gives it her all, but this ‘Invisible Man’ isn’t a must-see

Reviews

Bad movies are one thing, but there’s a more potent disappointment reserved for ones that coulda been contenders. Director-writer Leigh Whannell’s reboot of “The Invisible…

‘The Night Clerk’ review: Implausible thriller stokes autism stereotypes

‘The Night Clerk’ review: Implausible thriller stokes autism stereotypes

Reviews

A young autistic man (Tye Sheridan) witnesses a murder at his hotel job in this indie noir from director/writer Michael Cristofer (whom you may know…

‘Emma.’ movie review: Anya Taylor-Joy is an Austen heroine to remember

‘Emma.’ movie review: Anya Taylor-Joy is an Austen heroine to remember

Reviews

All Jane Austen’s heroines are clever, but Anya Taylor-Joy brings an unusually sharp edge to her rendition of Emma Woodhouse in “Emma.” Maybe it’s the lingering influence…

‘The Lodge’ review: Riley Keough learns that family bonding is hell

‘The Lodge’ review: Riley Keough learns that family bonding is hell

Reviews

It’s prime horror-movie season, and psychological chiller “The Lodge” does not disappoint. The follow-up to 2014’s “Goodnight Mommy,” from writer-directors Veronika Franz and Severin Fiala,…

Oscars 2020: Animated shorts nominees are heart-wrenching

Oscars 2020: Animated shorts nominees are heart-wrenching

Reviews

Don’t sit down to watch this year’s batch of animated shorts without a handful of Kleenex. The five Oscar-nominated films, featuring a remarkable range of style…

‘The Assistant’ is Julia Garner in a Weinstein-esque nightmare

‘The Assistant’ is Julia Garner in a Weinstein-esque nightmare

Reviews

The mood of “The Assistant,” with its sparse soundtrack of copier machines, phones and dinging elevators, is deceptively banal. Yet I’ll bet any woman who’s…

Robert Downey Jr.’s ‘Dolittle’ is a little extra

Robert Downey Jr.’s ‘Dolittle’ is a little extra

Reviews

There’s got to be a moment, as an actor watches himself on-screen pulling bagpipes out of a CGI dragon’s rear end, that he thinks, “Have…

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